I have enjoyed shooting the Racers Guild Winter Cup Series downhill races at Stile Cop this winter, it is good to see grassroots downhill thriving in the Midlands. This is just a quick post to share a few of my favourite images from the final round in February. Somehow the Racers Guild managed to arrange for good weather, which has been rare so far this winter. I got to Stile Cop during the practice session, so took the opportunity to shoot something a bit different to my usual race images. I used my little Fuji X100V camera to do some slow-shutter-speed panning shots. I really should have put a wider lens onto my main camera, but it was a nice change to use the little camera for some action photography. I managed to get a few good shots, but the one above, of Fletcher Gallagher, was my favourite. Especially after I had converted it to black and white. I feel like it captures the speed and madness of downhill racing.
For the first race runs, I chose a rooty section, which seemed to be where most of the riders were gathering after their runs, it was a great atmosphere, but the light was not ideal for photography.
When there was a gap i the racing, after a crash, I walked up the track to a better view point and stayed there for the rest of the race.
I have thoroughly enjoyed shooting the winter cup series, and am already looking forward to the next races planned at Stile Cop.
This was my favourite photo of Henry, taken when we were in Peebles on our Summer Road Trip. Owen had not been feeling very well and did not want to go out, so I took Henry for a walk to the park. The colours on this rocket worked well with Henry’s t-shirt.
I could not have a favourite photo of Henry without one of Owen too. I took this one at a friend’s barbeque in the summer, whilstt is not technically perfect, I liked how the colours of the bubbles work with Owen’s shirt and draw your eye through the image.
Another photo from our summer road trip, this time from our final stop in Saltburn-by-the-Sea. As we were finishing up our dinner, I could tell that it was going to be a good sunset, so I rushed back to the flat we were staying in, grabbed my camera kit and headed back down to the beach. This was my favourite photo from that evening – and I took a lot! It was almost totally dark by this point, but that meant I could use a long shutter speed to blur the sea.
I managed to shoot more mountain biking last year, including three downhill races at Stile Cop, this was my pick of the images that I shot at the most recent race, in December. It was the first outing for my Fujinon XF 50-140mm f2.8 lens, and it was a good job I had it, as my old lens would have really struggled in the woods on a rainy December afternoon. Of all the shots I got during the race, this was my favourite, you can tell that the rider is fast, and their red kt stands out from the dull background.
As a fortieth birthday present to myself I upgraded my trusty Fujinon XF55-200mmF3.5-4.8 lens to the New Lens: Fujinon XF 50-140mm F2.8 – Fuji’s equivalent of a 70-200mm f2.8 lens, aka the standard sports photography lens. It is a bump up from a good consumer grade lens to pro grade lens, albeit with less reach. The new lens had been on my radar for a while, but it was only when testing the Fuji X-H2S camera body that I decided I should prioritise a lens upgrade. I had planned to call in at my local camera shop, LCE in Leamnington Spa, and buy the lens on my birthday, but got a good Black Friday deal from LCE online, the week before, so got it a bit early.
With everything else going on, I did not get much of a chance to test the lens, only a few walks in the local woods, but managed to get to the second round of the Racers Guild Winter Series at Cannock Chase to put the lens through its paces.
Mountain biking in December in the UK is cold, wet and muddy, an added complication is that it also gets dark mid afternoon, which is not great for photography. Driving up to Cannock Chase it the weather was not too cold, but it was the heaviest rain I have driven through in my MR2 Roadster for a long time. It was still raining heavily when I parked up, so I waited until it had stopped, before getting out of the car, donning my waterproofs and heading to the track. As I was late getting to the track the best angles had already been claimed by other photographers, so I was somewhat restricted in where I could shoot from. I also did not want to walk too far down the track, as I knew I would have to make a quick exist due to other commitments later in the afternoon.
As the riders came down for their first timed runs, I lined up a shot to catch them splashing through a puddle, which worked a bit too well, both the camera and I got splashed with muddy water – what a way to christen a new lens. Fortunately it is weather sealed. As the afternoon drew on the light got darker – I was definitely glad of the extra light from the wider aperture of new lens, I would have really struggled to shoot this race with my old XF55-200mmF3.5-4.8
The other area where I noticed an improvement was the autofocus. I do not know if it was the extra light getting to the sensor, or the faster focus motors, or maybe both, but the autofocus felt like it was on a par with the X-H2s and XF55-200mmF3.5-4.8 combination I used at the first round of the winter series. Athough this was only one race, so I need to shoot some more to get a better feel for it.
The last rider down the hill got the biggest cheers – Santa Claus going the extra mile to test the 2023 crop of kids bikes!
Since photographing the British Downhill Series last year, I have wanted to shoot another downhill race – so where better to start than my local race series, on the Stile Cop downhill trails at Cannock Chase. Despite riding at Cannock Chase a fair bit, I had never ventured over to the downhill trails, so I was a bit surprised to find out that the entrance was at the top of the hill. I got there just before the first, of two, race runs were about to start and made my way down the trail until I found a good spot, and bumped into Sean from Little Rippers, who had found a good spot by a jump.
I could not make that angle work, partly because I was lower than the riders coming through, and the wide-angle lens on my Fuji X-T2 was struggling to focus. During a break in the racing, I crossed the track, found a better viewpoint above a switchback corner, switched to my telephoto lens and was getting some better images.
I then noticed a better position to shoot the jump I had started at, so walked down the track to that. The angles didn’t quite work for the jump, but I could get a nice clean shot of the riders coming down the chute after the jump, so stuck there until the end of the first runs. The weather was overcast, which was both a blessing and a curse, it meant that there were no strange shadows to deal with, but also that it was pretty dark in the trees. With lots of riders coming straight towards me, I took the opportunity to experiment with some of the different focus modes on my camera but came to the conclusion that placing the smallest focus point where I wanted the rider’s face to be in the frame, then tracking them was getting better results than any of the more “intelligent” focus modes. This is the method I have been using since my motorsport photography days (fifteen years ago!), however, I would like to try the new bicycle tracking mode on the latest Fuji cameras though.
After lunch it seemed like everybody went back up to the top of the hill, so I joined them. This was a bit of a rookie error – as I was the only photographer to do this. All the others seemed to have shot the first race runs from the bottom of the hill, and then come up the hill and got themselves set up with good viewpoints for the second runs. I considered going to the bottom of the hill, but took the lazy option and returned to the switchback I had shot earlier in the day. Lesson learned for next time though!
Concentrating on one corner was a good exercise in getting the best angle and in the end I managed to settle on a “BOGOF” angle – capturing a full rider shot exiting the previous corner (photo above) and then a much tighter image of the rider going through the corner in front of me (photo at the top of this post). I would not normally go for such tightly cropped action images, but I liked how I was able to capture the rider’s expression, even behind a full-face helmet and goggles.
Even though it was “only” a local race, the standard of riding was high – the elite riders looked particularly fast, pedalling everywhere they could, rather than solely relying on gravity. There was also a surprisingly big crowd which meant there was a good atmosphere. Racers Guild has another race at Stile Cop planned for the autumn and I hope I can go because it was a great day out!
